Echoes

I recently finished a great collaboration with composer Koen Janssen. The track features several layers of vocals, which were all written and performed by yours...

Dirk Ehlert a.k.a. Caratacus

I am quite pleased to announce the release of a new album from composer Dirk Ehlert! With “Caratacus” [Dirk] merges his influences from his work as a trailer music and film composer, his symphonic metal and gothic history and sounds from all over the...

New Reels

I have recently updated my vocal reel and created a brand new flutes reel. These are meant to be a quick way for composers to check out a variety of excerpts from my recording work. You can listen to them both...

Land of Zion

IMG_1670Here’s a fun track composed by Bill Piyatut, featuring me on tin whistle. It will be used for the Kickstarter campaign for Land of Zion, “a new TCG (Trading Card Game)/Board game that offers a variety of elements such as resource management and tactical gameplay. The game is for 2 to 4 players played on a grid-based playmat. As the player you take the role of and control characters and engage in strategic battles across a battlefield against your opponent’s characters.

The Making of Fire Dance

firedance4I’ve enjoyed using the live video feature on Facebook to make two videos recently. The first time I didn’t really have much of a plan and just ended up demonstrating a bunch of flutes. The second one was me improvising some “tribal/native” vocals over a track I had been working on. I had a lot of fun responding to the people who tuned in and singing a bunch of takes live. After shooting the video, I ended up using part of the first take, plus another one, as the basis for a final melody. My initial plan was just to do one lead, possibly with some other voices in the background. Eventually, however, I decided to multi-track that one melody eight different times. Each time, I tried to sing it with a slightly different vocal tone. One of these takes stuck out too much in the mix so I eliminated it. What you will hear in the final track are the other seven, panned across the stereo field. I also ended up changing the arrangement a bit, adding a low droning chant, and recording my Selmer song flute for the middle section.

Here’s the live video: